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Published in: European Journal of Applied Physiology 6/2010

01-12-2010 | Original Article

Cardiopulmonary changes during clarinet playing

Authors: Maria L. Hahnengress, Dieter Böning

Published in: European Journal of Applied Physiology | Issue 6/2010

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Abstract

Since playing wind instrument impedes normal respiratory functions, its effect on expiratory and blood gases as well as on cardiac function was investigated. In 15 skilled clarinettists expiratory PO2 and PCO2 were measured in gas drawn from a modified clarinet barrel when playing a composition (Robert Schumann’s “Phantasiestücke” Op. 73 for clarinet and piano) with increasing difficulty from movement 1 to movement 3. Blood gases were measured in arterialized ear lobe blood at the end of each movement and the electrocardiogram was recorded continuously. From the expiratory gas pressures one may conclude that the most advanced players adapt their ventilation to the requirements of the composition and sustain expiration during difficult parts of the composition until hypoxic alveolar PO2 values are reached (minimum 77 mmHg). Less trained clarinettists tend to hyperventilation or shallow breathing. Oxygen saturation in arterialized blood showed a slight step-wise decrease from movement to movement [control 96.6 ± 0.5 (SD)%, end of concert 95.6 ± 1.0%]. SO2 was significantly higher because of possibly more effective ventilation in instrumentalists with practise time exceeding 2 h daily. Mean heart rate increased to values like during moderate to heavy physical exercise depending on artistic fitness and the difficulty of the movement (maximal individual value 173 beats/min). Additionally, a large variation might be caused through intrathoracic pressure changes, changing exertion, respiratory influences and emotion. The electrocardiogram showed no pathological events. In general, clarinet playing at a professional level imposes strain on ventilation and circulation but usually not on a pathophysiological level.
Glossary
Attacca
Immediate continuation of the next movement
Bar
Group of notes within bare lines
Barrel
Piece of the clarinet between mouth piece and upper finger board, important for intonation and sound quality
FINE
End of the composition
Fingering
Finger technique
Measure
Single beat in a bar
Movement
Single part in a set of parts within a composition
Pitch
Height/intonation of a note
Reed
Sound producing part of the clarinet at the mouthpiece
Score
Composition in a written form
Timbre
Sound colour
Footnotes
1
See glossary at the end of the article.
 
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Metadata
Title
Cardiopulmonary changes during clarinet playing
Authors
Maria L. Hahnengress
Dieter Böning
Publication date
01-12-2010
Publisher
Springer-Verlag
Published in
European Journal of Applied Physiology / Issue 6/2010
Print ISSN: 1439-6319
Electronic ISSN: 1439-6327
DOI
https://doi.org/10.1007/s00421-010-1576-6

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